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MuchMusic doc pulled from Crave months after director says he clashed with labels | CBC Information Categorical Occasions

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A MuchMusic documentary that after got here below scrutiny for utilizing a deep catalogue of fashionable music has been pulled from its premiere date on Crave.

Representatives for Bell Media stated Monday {that a} “scheduling change” was behind their determination to quietly take away 299 Queen Avenue West from a deliberate debut final Friday on the channel and its streaming service.

They didn’t supply particulars on the choice.

The 2-hour movie makes use of archival footage and voiceovers from MuchMusic personalities to hint the historical past of the nationwide music channel from its earliest days as an upstart Toronto station.

A model of the movie that screened throughout a roadshow tour final yr featured dozens of brief musical efficiency clips, together with these of a younger Avril Lavigne, an acoustic serenade by Seal and one among Noel Gallagher singing exterior the Toronto studio.

Filmmaker believed snippets fell below honest dealing 

Final October, filmmaker Sean Menard instructed The Canadian Press that main labels together with Common Music Canada had been making an attempt to cease the cross-country screening tour and instructed him the movie included unlicensed music from their artists.

On the time, Common stated in an announcement that negotiations over licensing of its recorded music had been underway and that no authorized motion was being pursued.

WATCH | A brand new doc is shining a lightweight on the legacy of MuchMusic:

New doc shines gentle on the legacy of MuchMusic

A brand new documentary referred to as 299 Queen Avenue West tells the story of MuchMusic via the eyes of their video jockeys, also called VJs. The movie will probably be closing out the Windsor Worldwide Movie Competition this yr with a screening and Q & A on Nov. 5. Windsor Morning host Nav Nanwa spoke with director Sean Menard and former MuchMusic VJ Rick Campanelli, also called Rick The Temp, in regards to the movie.

Menard stated his MuchMusic documentary solely used 10-to-15-second snippets of songs, which he believed fell below honest dealing in Canada. These legal guidelines allow the restricted use of a copyright-protected work with out permission in some circumstances, together with information reporting, criticism and overview.

The legal guidelines are just like honest use legal guidelines in the USA.

Menard, whose earlier work contains the 2017 Vince Carter documentary The Carter Impact, stated he consulted with a U.S. regulation agency throughout post-production. The agency suggested him on what footage may have to be paid for and what fell below his authorized rights. 

“The entire thing is archive footage,” he stated in October.

“I licensed an enormous chunk that does not fall below the honest use pointers. However there’s a whole lot of the music and music movies proven that fall below that guideline.”

Common says movie makes use of 12 tracks from its label

Menard declined to offer further touch upon Monday.

His 299 Queen Avenue West roadshow completed its Canadian screening tour final November and Crave introduced a house premiere date shortly after.

Common Music Canada and Music Canada, a commerce group representing the massive labels, didn’t return requests for remark Monday on the standing of their claims.

Bell Media declined to reply to a request for extra info on the rationale behind the printed and streaming lineup change.

An announcement from Common final fall detailed some background on the label’s aspect of the negotiations. They stated the movie used 12 tracks owned by Common, which the label supplied to licence for “an inexpensive price of $500 per monitor.”

“In all the things that we do, we vigorously shield and defend artist’s rights,” a spokesperson for the report label wrote.

“At current, we’re in energetic and good religion negotiations with the movie’s authorized and manufacturing staff on the licensing of Common’s recorded music. No authorized motion has been pursued at the moment.”

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